Archive | November, 2014

THE DISREPUTABLE HISTORY OF FRANKIE LANDAU-BANKS by E. Lockhart (Hyperion, 2008)

30 Nov

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GENRE: Realistic Fiction

HONORS: Printz Honor Book, 2009

REVIEW: Frankie is a legacy at her boarding school, the daughter of Senior her well-connected dad. Sophomore year sends a changed 15-year-old to school—Frankie has grown into a beautiful girl, and armed with insider knowledge from her graduated sister, Zada, she’s ready to be more of a force at Alabaster Prep. She does become a force—but as a “she-wolf,” the girlfriend of a popular boy, senior Matthew Livingston. Matthew is a decent enough boyfriend but his loyalty to his group of friends is annoying and clubby, in that prep school boy sort of way. Frankie vows to infiltrate the “boys club” and finds herself as the mastermind of the Bassets. She plots legendary pranks and meaningful protests, but will the “cute” girl behind the events ever be taken seriously?

OPINION: A “feminist” manifesto of sorts, Disreputable History takes on the “old boys network” at its first indoctrination point—prep school. Frankie is everything that a successful person should be: smart, attractive, clever, focused, ambitious. In fact, the only thing that she isn’t is male. And she rebels against that failing by taking control of the male world she isn’t privy to. It’s a powerful message for teen girls—but Frankie’s approach is misguided. Instead of secretly taking over, it would have been more interesting to see her lead completely. But author Lockhart deftly taps into the mixed messages girls see and hear—Frankie wants “in” but she also wants to be liked—even loved—in the way that pretty girls usually are. Frankie shows us just how complicated it can be for a girl in a man’s world. Well-written, sly, and brimming with these complexities, Disreputable History is a must-read for teen girls and the boys who want to know them.

IDEAS: With a low-key feminist slant, it could be interesting to curate a collection of more overt feminist writing throughout history.

WILL GRAYSON, WILL GRAYSON by John Green and David Levithan (Dutton Juvenile, 2010)

29 Nov

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GENRE: Realistic Fiction

HONORS: None Known

REVIEW: Will Grayson is waiting out his remaining time in high school convinced he needs to keep quiet and not care about anything. He’s lost most of his “friends” after speaking up for his best friend Tiny Cooper, a 300-lb football player who is also a “really, really gay” musical writer. Meanwhile, will grayson (Will #2) is a closeted teen carrying on an email affair with his true love, Isaac, whom he’s never met. The two boys, Will and will plod through their lives, navigating the complexities of love and friendship until the fateful night they meet each other in a Chicago porn shop and find out what they share, besides their names.

OPINION: Written in a unique every-other-chapter by two YA powerhouses, Will Grayson is a smart, charming, funny story of teens learning to be themselves—and learning to think of others beside themselves. Both of the Will characters are self-centered and angry at the world (and at what the world expects of them). Will #1 watches idly by as Tiny grows even larger than his enormous girth—he’s a big personality and a giant presence in Will’s life, even introducing him to Jane who slowly becomes his girlfriend. But Will #1 resents Tiny’s importance. Will #2 is duped by his friend Maura into believing that Isaac is real, and he resents her forced presence in his life. When the two Wills meet they finally realize they don’t have to go it alone—they can be part of something larger and that acceptance can bring them the love and friendship they thought they’d been missing. A fantastic collaboration that really works, Will Grayson is a great read.

IDEAS: This book could bring together a collection of John Green and David Levithan books and readers could dissect how each author tells a story.

 

 

THE TURNING by Francine Prose (Harper Teen, 2012)

28 Nov

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GENRE: Horror

HONORS: None Known

REVIEW: Prose, a respected author of both fiction and non-fiction, takes her hand to YA for the first time in a modern retelling of Turning of the Screw by Henry James. Told in a series of letters from Jack to his girlfriend Sophie and his father, Jack recounts his summer job on a mysterious, isolated island caring for two odd children removed from the outside world. As the weeks go by, Jack’s letters become more desperate and paranoid, as he reveals his complex relationship with two ghosts that haunt the island. Are there truly ghosts? Or is Jack slowly loosing his grip on reality?

OPINION: While the original story was written in 1898, a 2012 version loses the mystery and isolation that was possible in a time without any other form of communication. Which leads to the letter writing structure of the story. The epistolary novel traps Prose into a clunky, unbelievable format that makes any descriptive passages or dialogue feel forced and ridiculous. Her writing is in no way similar to how a modern teenage boy would write to his girlfriend. And it’s challenging to believe that anyone in the throes of insanity or ghost sighting would have the presence of mind to recount the details he does in his letters. Adding to the dryness of the narrator is the dullness of the story—one can see this coming a mile away. Strange children, an isolated island, mysterious circumstances? There is nothing new or unexpected here. James’ story might hold up over time. But Prose’s version definitely doesn’t. This is a truly horrible book.

IDEAS: Due to its paranormal, spooky themes, this could be part of a Halloween reading series. It would also be interesting to compare and contrast it with Turning of the Screw.

 

PROJECT RUNWAY: THREADS, The Weinstein Company, Full Picture, and Sara Rea Productions

26 Nov

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GENRE: Reality TV

HONORS: None Known

REVIEW: Building off the success of the Project Runway franchise, Project Runway: Threads showcases the designing talents of teens in this weekly competitive show. Each episode pits three new designers against each other to create thematic looks with the help from a parent, grandparent, or special helper. One of the three walks away the winner with a prize package of over $25,000.

OPINION: Sewing and designing have become popular pastimes for teens and this show offers a unique way to see some truly talented kids at work. But unlike a similar kid/teen reality show, MasterChef Junior, Project Runway: Threads suffers an emotional detachment that comes from the quick turnaround of the cast. We have no time to form attachments to the contestants (like we do on Project Runway or other reality shows) so there is no reason to care about the story behind the designer. Some episodes hint at the teens’ lives—one girl tells of her hard times, another boy casually discusses how difficult it was to come out. But we never know the motivations that move these kids. And without feeling something for them, we can’t feel much for the show. Contributing the problem is a truly horrible host and judges who never feel genuine in their critiques. Overall, Project Runway: Threads is a missed opportunity with little emotional power.

IDEAS: “Talented teens” is a strong theme and this show could be part of books, movies, or TV shows that focus on motivated teens and their quest to follow their passions.

MONSTER by Walter Dean Myers (Harpercollins, 1999)

26 Nov

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GENRE: Realistic Fiction

HONORS: 2000 Printz Award Winner, National Book Award Nominee

REVIEW: Is Steve Harmon a monster? If you consider the crime he’s accused of, one might think so. But if you read Steve’s journal, you might come away with a different picture of a young boy afraid for his life. Which sets up a powerful premise for this book, told in a screenplay of Steve’s trial, interspersed with first-person entries. A man has been murdered, and Steve has been arrested for being the “lookout” in the crime. An aspiring filmmaker, Steve seems to be a good kid with a promising future. But the details revealed in his trial paint a different picture. Was Steve part of the crime? Is he innocent, as his lawyer asserts? Or is there a fine line somewhere in the middle?

OPINION: A strong structure, a compelling story, and a deep moral question propel this book into a riveting tale of race, socioeconomic status, peer pressure, and the complex world urban youth must navigate. Steve must battle the legal system, but the book becomes more of his own moral battle—he fights for his life and his freedom, but we see glimpses of his true self. We never know for sure if Steve is guilty of the crime his is accused of, but we see hints of his internal dilemma that seems to point to his complicity. We can chalk up his poor decision to a youthful indiscretion—but a man is dead. And although we don’t see the full extent of Steve’s life, we do see the love his parents have for him. How can we reconcile the two? Steve seems like a decent kid, but don’t the decent still have an obligation to society? This deceptively simple book is fraught many moral nuances that make it a brilliant examination of right and wrong and the spaces in between.

IDEAS: With its complex moral argument, this book would be a fantastic starting point for a debate class or as part of an exploration of street lit.

 

SPEAK by Laurie Halse Anderson (Farrar Straus Giroux, 1999)

20 Nov

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GENRE: Realistic Fiction

HONORS: 2000 Printz Honor Book, National Book Award Finalist,

REVIEW: Sometimes speaking the truth leaves you without anyone to listen at all. That’s what happens to Melinda Sordino, a teen with friends, plans, and an exciting high school experience ahead of her. Until a wild summer party when she gets raped by a popular senior. She calls the cops but flees and never reports the crime. But plenty of other kids who were there get in trouble—and blame her. So on Melinda’s first day of school, she’s an outcast, her friends have abandoned her and she finds herself more and more unable to talk about anything to anyone. As the year progresses, she finds expression through her art class and when her former best friend starts dating her rapist, she finally decides to speak out. And finally, people listen.

OPINION: Anderson’s first novel is powerful and moving, an anthem of sorts for anyone who’s been quieted by bullies, aggressors, or belittlers of any kind. It takes a while to understand what causes Melinda to be ostracized and there are points when one can’t help but be annoyed with her lack of confidence. Why is she letting people treat her like that? But as she slowly reveals what happened, we can all understand her victimization and why she’s retreated into herself. The parallel between her art project and finding her voice to speak out is poignant and something many teens can relate to—creativity can definitely build confidence. The end is a little too neat and tidy compared to many similar real life situations, but as a metaphor for strength over adversity, Speak is beautifully done.

IDEAS: This book would be a powerful read for teens discussing bullying or victimization of any kind. It would also be helpful for teens in distress, especially victims of rape or sexual abuse.    

 

 

BAD GIRLS: SIRENS, JEZEBELS, MURDERESSES, THIEVES & OTHER FEMALE VILLIANS by Jane Yolen and Heidi E. Y. Stemple with illustrations by Rebecca Guay (Charlesbridge, 2013)

20 Nov

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GENRE: Historical Nonfiction/Graphic Novel

HONORS: None Known

REVIEW: What do Delilah, Ma Barker, and Catherine the Great have in common? According to this book, they are all the bad girls of history, the women who stood out for their misdeeds, whether real or reinterpreted. Using a clever structure of short historical chapters interspersed with the mother/daughter authors in comic book form discussing their perceptions of each woman, Bad Girls starts conversation about how history interprets strong women. As the author’s ask in the last chapter, would we still consider these women bad today? Or would we consider them victims of bad circumstances?

OPINION: Although this book probably skews to a bit of a younger audience, it is still a deceptively simple approach to examining women’s stereotypical roles throughout history—the “bitch,” the “siren,” the “seductress.” By setting up the crux and circumstances of each woman’s story and having the cartoon version authors engage in a quick debate on the historical female’s “badness,” they are slyly setting up a reader’s own examination of feminism, gender roles, and historical context. Although the cartoon versions are a little corny and contrived a times (did they have to make it about looking pretty and shoes?) this is still an interesting and compelling way to look at history through another lens.

IDEAS: This is a must-read for teens, especially girls, as they begin to find their own place in the world. Reading this book in conjunction with full biographies of any of the women examined would give a broader scoop and understanding of women’s issues throughout history.